Monday, October 08, 2012

Look Out ! I Think There's a Bomb in That Jack O' Lantern



RADIO REBEL GAEL PRESENTS : The Halloween Hooley !


FEAT. NEW Music & Guest Musicians, Leeson O’Keefe of NECK (London) & John Jo of THE AMADANS (Glasgow) !!!


And lots of classics, and new tunes by Linda Byrne O’Riordan, Damien Dempsey, John Mccullagh, Seamus Moore, Vinnie Caprani, Ciaran Murphy, Christy Moore, Woody Guthrie, Athenrye, Bluestack, Pat Shortt, Blood or Whiskey, Kilmaine Saints, Bible Code Sundays, The Prodigals, Larkin, The Mighty Regis, The Dubliners, The Navigators, The Mickey Finns, The Wages of Sin, The Lucky Bullets, The Irish Rovers, The Skoidats, The Wolfe Tones, Kila, Dancin’ Knuckles, The Zydepunks, The Tossers, The Pogues,


And your Grand Pa’s favorite melodies !

Saturday, September 22, 2012

FWD: Thanks, Fionnbarra Ó Dochartaigh, UPDATE ON THE TYRONE 4
THE TYRONE 4 PROTEST-FAST ENTERS ITS 4OTH DAY @ MIDNIGHT, SEPT. 23rd. 2012, YET THE SILENCE IS DEAFENING FROM 'OUR' POLITICIANS, CLERGY, and MEDIA. ALAS, IT IS SAD TO TO RELATE, EVEN SOME 'REPUBLICAN" GROUPS HAVE YET TO TAKE A PUBLICSTAND IN SUPPORT OF THEIR DEMAND FOR THE IMMEDIATE IMPLEMENTATION OF THE "SEGREGATION CLAUSES" OF THE STEELE REPORT OF SEPT. 2003. SPEAKING OUT NOW CAN MAKE A DIFFERENCE - POSSIBLY BETWEEN LIFE AND DEATH.


A HISTORY LESSON, ESPECIALLY FOR 'SLOW-LEARNERS'.

The significance of the Hunger Strike is deeply embedded into Ireland's history and mythology, and for Irish Republicans especially. This religio-political martyrdom has an iconic connection with THEIR pantheon of fallen comrades. The use of Hunger strike (The Troscad) dates back to pre-Christian Ireland when there was a strong tradition of oral laws, Brehon Laws (Laws of the Fénechus). In ancient Ireland, self-help was the only method at people's disposal to enforce a claim or right a wrong within the context of these laws. The hunger striker gave notice of their intent and, according to the law tract Di Chetharslicht Athgabhála, if the person who is being fasted against does not come to arbitration, and actually allows the protester to die, then the moral judgement went against them and they endured shame and contempt until they made recompense to the family of the dead person. If they failed to make such amends, they were not only damned 
 by society but damned in the next world. They were held within Irish society to be without honour and without morality

Saturday, September 01, 2012

RADIO REBEL GAEL Presents :



Over The Moon (w/ a Mighty Tune) !

http://spinxpress.com/bronxgael/





FEAT. NEW Music and Guest Musician, Paddy Ryan of THE RYANS (Liverpool) !!


And lots of classics, and new tunes by Mary Courtney, Brian Finnegan, John Mccullagh, Stephen Leeson, Ray Collins, Ciaran Murphy, Gerry T. Moran, Kevin Conlon, Pol Mac Adaim, Christy Moore, Johnny Cash, Rising Gael, Foster & Allen, Athenrye, Erin Og, Flook, NECK, Icewagon Flu, Bluestack, Shebeen, Mischief Brew, Roaring Jack, Blood or Whiskey, The Druids, The Tossers, The Fighting Jamesons,



And your Grand Pa’s favorite melodies !

Tuesday, August 28, 2012

The Kingdom of Dál Riata :



[Regarding picture below], published in the year George Buchanan died, "Rerum Scoticarum Historia", " Praised by Dr Johnson and the later Hugh MacDiarmid as a ‘prince of poets’, George Buchanan (1506-1582) found time to re-write Scottish history, starting from the mythical Fergus Mór mac Eirc, legendary king of Dál Riata, and founder of Scotland."

The history of the ancient Kingdom of Dál Riata, has been misused and misunderstood, and even has some Loyalists and Unionists (and others) promoting this pseudo-history that this ancient Kingdom of "Scots-Irish" is some kind of British idea. This is patently false, and I was reminded today, watching a documentary about Mary Black's family today; "Ceol na n-Oileán ", filmed in Rathlin and "features performances from Mary, Frances and Michael Black and younger members of the Black Family, as well as local singers Teresa McFaul and John McCurdy", in which the family talks about the common Gaelic lineage of Irish and Scots, and talks about the history of the ancient Gaels, in ancient times, just GAELS, not as of yet, Scottish or Irish, but the ancient Gaels of Dál Riata, who lived in the Gaelic isles and regions that stretched throughout Antrim and parts of what is know "Scotland", who orginally spoke one Gaelic language in common, and who resisted, as a common people the British encroachment upon their common indigenous Gaelic lands......Far from being a history of "British" or "Scots-Irish", this Kingdom of Dál Riata, was a proud Gaelic people who spoke one Gaelic tongue and were the ancestors of both Irish and Scottish Gaels.........And who all throughout history resisted the British encroachment of their lands. Clearly, not the same story as the pseudo-historians of the Unionist and Loyalist mindset.

--- Rory Dub., Radio Rebel Gael




Saturday, August 11, 2012

RADIO REBEL GAEL Presents :





FEAT. NEW Music & Guest Musicians; Chris of ERIN GO BRAGH (Dublin),  and Paul Holohan of WHISKEY STILL (Dublin) !!!


And lots of classics, and new tunes by John Mccullagh (from his new CD, “Working Class Lowlife” !!), Damaris Woods (from her new debut CD, “Banjo On My Knee: !), Colm O’Brien (from his new CD, “Back To Work !!),  The Langer’s Ball (from their latest “The Devil or The Barrel” !), Andy Irivine, Donal Og, Phil Coulter, Girsa, Kila, Neck, Chicago Reel, Fenian Folk, The Navigators, The Druids, The Players Brigade, The Fisticuffs, The Pikemen, The Mickey Finns,





And much more….

Thursday, August 02, 2012

BANNING OF SPIRIT OF 76' FILM (1917), MORE UGLY PROOF OF THE LONG STANDING SUPPORT OF EVERYTHNG BRITISH BY THE U.S. GOVT.


The Spirit of '76 (1917) was a silent film directed by Frank Montgomery that depicted the American Revolution , and due to its depiction of British atrocities against Americans, caused the U.S. government to ban the film, and send its producer, Robert Goldstein, to Federal Prison for ten years, because it "violated the Espionage Act and was critical of the U.S.A.'s ally in WWI"


The film was produced by Robert Goldstein (born September 21, 1883), a Jewish immigrant from Germany who owned a costume shop. The Spirit of '76 was considered controversial at the time because of its depiction of the British atrocities during the American Revolutionary War, and "offended" tender pro-British sensibilities in America, while Wilson wanted to open up the Market to American Corporate Interests with the help of Britain.



The Spirit of '76 premiered in Chicago in May 1917, just one month after the United States declared war on Germany. The head of Chicago's police censorship board, a Mr M. Cicero Funkhouser, confiscated the film at the behest of Woodrow Wilson's Justice department on the grounds that it "generated hostility toward Britain", America's brand new ally. Goldstein trimmed the offending scenes, got federal approval for the censored version, and resumed the Chicago run. But when the film premiered in Los Angeles a few months later, Goldstein reinserted the deleted scenes concerning British atrocities. This was considered aiding and abetting the German enemy by the U.S. government, which after an investigation, arrested Goldstein.


The film was again seized and Goldstein was charged in federal court with violating the Espionage Act. At trial, the U.S. prosecutor argued that as the World War I effort demanded total Allied support, Goldstein's film was seditious on its face. Goldstein was convicted on charges of attempted incitement to riot and to cause insubordination, disloyalty, and mutiny by U.S. soldiers then in uniform as well as prospective recruits, and he was sentenced to 10 years in federal prison.

"AND JUSTICE FOR ALL (AND ALL THAT CLAP TRAP)"

Monday, July 30, 2012

The Mickey Finns “Prayers And Idle Chatter” CD (Mankeltray Music) 2012:




Shane MacGowan once said that “….there’s no point in Ireland getting the six counties back, if Irish culture has been totally forgotten and destroyed. That will  have meant that they’ve won in the end.”  ( “A Drink With Shane MacGowan, Victoria Mary Clarke, 2001, Grove Press)





And bands like the Mickey Finns always remind us, of how much of an important part of Irish culture, the music really is.

With their third CD release, “Prayers and Idle Chatter”, The Mickey Finns are proof positive that no matter how much you drink,there’s not the slightest chance of Irish music being forgotten.

Beginning this new Mickey Finns bout with “Return of the Prodigal Son”; you can feel that whiskey-inspired Ceili-Country rhythm that brought so many fans to Paddy Reillys, night after night, to sing and dance to that rowdy Urban Cowboy sound that is the Mickey Finns. If Lucinda Williams and Christy Moore ever got together, The Mickey Finns would be their bastard child.  Bastard, in a positive sense of the word, perhaps like a Culchie troubadour, who, while he may be without a father, due to lack of family ties, he has the freedom to wander, busking on street corners, traveling the way of the Hobo musician, giving Boxcar Willie a few lessons on the way, with only a banjo and a coonskin cap to keep him company. Okay, maybe not. Maybe Boxcar Willie would get him drunk, pick his pockets and get him involved in a late night poker game, where he would lose his coonskin cap and his banjo. And didn’t we all learn about the evils of drinking and gambling in Sunday school ? So maybe this bastard child isn’t a saint, and has many musical parents, but who cares who the father is when the son is rocking the roof right off that roadhouse? Its that something special, that Irish Rogue-gypsy-hobo-culchie sound that will pack dance halls, pubs and roadhouses every night with an infectious Irish Rock n’ Reel mass appeal, that is 100% Mickey Finns. And bandmates Ray Kelly, and Brian Tracey, formerly of NY’s legenadary, The Prodigals, have a proud family tradition that transcends blood and lineage. Believe  it.

Afterwards, “Sweet Clare Girl” keeps us wandering these County Clare moors and beyond, in search of a musical sweetheart.

Just be careful with that “Sweet Clare Girl”, ladies and gentlemen, because she’s bound to break your heart :

“Said that love was only for the fools,
But you were never playing by the rules…..”

Despite the subject matter, this is really an upbeat tune that tells you to take it easy and not take things so seriously. A tune that would make Johnny Cash proud, whether or not the song makes you reminisce about unrequited love, or just a holiday romp with a beautiful Colleen, this tune is bound to become a crowd-pleaser.

Next, “McGuinness’ Mass” allows us to contemplate on the mysteries of life while totally banjaxed, or as they say in the States, “shit-faced”. This mighty pub sing-along is probably one of the best drinkers anthems ever written and is really about the existential nature of Alcohol & Religion. Like a Priest drunk on his own sacramental wine, we delve deep into the heart of intoxicating Ceilidh rhythms, libations, and toasts to friends, fiends, winos, langers, and family :

“Some men fought in wars and some tasted defeat
While others chased girls on their cold blistered feet,
But this was their haven, a safe place from harm
A place filled with song and with chatter and charm……”

A rocking and rolling pub sing along song of cheer and warmth that might even cause some to reschedule their Sunday afternoons. And while I wouldn’t recommend this tune to recovering alcoholics, I couldn’t recommend it enough to everybody else. Unless you’re a Jesus Freak. In that case, just stick to your Christian Rock and Gospel.

If that wasn’t enough of an alcoholic reverie for your tattered soul, than “Absinthe (Makes The Heart Grow Fonder)” shall give Hank III, Waylon Jennings and Luke Kelly (R.I.P.) a run for their money. From the hallowed halls of musical legends (driven to drink), comes the spirit of true “don’t cry in your beer, just guzzle it and smile”, reminding us, yet again, that life and love can be but a joke, even in the darkest of times. Hallellujah buddy ! This got to be one of the best drunkards prayers, this side of the Mississippi.

But probably one of the best tragic Irish love songs tackling the dark subject of sectarianism, is the Mickey Finns, “Tanks and Barbed Wire”, a mighty tune that will tug at your heart strings, and cause you to hope that people on both sides of the religious divide will wake up and reject the British propaganda of the “old divide and rule”, and put the religious hatred----- behind them. This song always moves me, in a way that only a deeply stirring and emotional song can. Beautiful and tragic, like Ulster.

Next, “The Jester”, is a happy tune that reunites us with our old chums in the drinking schools of McLean Avenue or the Quays. And with every rebel who breaks the mold , class clown that disrupts the boredom of school, or huckster who tries to talk us into playing his shell game, there’s always a Jester that stands tall amidst all the chicanery, turmoils and challenges of life, and keeps his head held high, because :

 

“Kingdoms rise and kingdoms fall,

But the Jester still stands tall...

He’ll remain a rogue all his life, whiskey and the road , shall be his wife”

 

Whether or not this song for you, represents the rebel, the outlaw, or just the class clown, “The Jester” is an absolutely happening song, and one that Ken Bruen, The Mc Court Brothers, or Brendan O’Carroll would definitely relate to, and yet another amazing melody on a phenomenal CD that is almost all originals, written by The Mickey Finns. (The three instrumentals are the only covers on the entire CD). Really, you can’t get much better than that.

 

If that wasn’t crack-a-lackin’ enough for you, from the jubilant mirth of “The Jester”, we’re given more brilliant gypsy harmony that calls us to the road and the wanderers path, beyond the suffocating confines of city life and suburbia, “Dark Roll Down The Dawn” is one of a hell raiser and is destined to raise the roof where ever the mighty Mickey Finns take the stage.

But truthfully, the last ballad of this album, “The Ballad of Duffy’s Cut”, really must be the best song the Mickey Finns have written yet. And next to their equally great ballad “Tanks and Barbed Wire”, probably one of their most seriously heavy duty ballads, hands down. Telling the tragic true story of fifty-seven Donegal, Tyrone, and Derry natives, who emigrated in 1832 to work for railroad contractor, Phillip Duffy, near Malvern, Pennsylvania, and in less than two months, all of these hardworking sons of Ireland were all to die in disputed circumstances, most of them to be buried in mass graves, one account that they died of a cholera pandemic, while others say that they were massacred by Protestant nativists. Recent excavations and research has shown forensic evidence that more than a few of these 57 workers, were indeed murdered, by gunshot, and blunt force trauma, to the head. Additionally, many of those buried in unmarked mass graves, died due to the refusal of anti-Irish nativist locals , to allow them proper medical care:

“You’d thought you’d be in heaven, where the streets are paved with gold,

But you found yourself on a railway line, digging ditches in the cold...

There were 57 men, and 57 dreams

And 57 bodies in the ground, from evil schemes..”

A better song, in my opinion, by far, than the Willy Page “Duffys Cut” song that Christy Moore and others have covered, its also the best ballad on the tragedy of immigration and xenophobia, ever written. Fair play to the Mickey Finns, who can party hard and than get dead serious with you, and who’ve created one of the finest Irish Rock n’ Roll albums that I have ever heard. And believe me, I’ve heard many !

 

 -- Rory Dub., Radio Rebel Gael

 

 


Monday, July 23, 2012

RADIO REBEL GAEL PRESENTS :



 Celtic Thunder !


FEAT. NEW Music & Guest Musicians; Eoin Mc Carthy of WHISKEY OF THE DAMNED (Milwaukee), Leigh Schroeter of McALPINE’S FUSILIERS (Bendigo, Australia),  &  Michael Sturm of THE LANGER’S BALL (St. Paul, Minnesota),


And lots of classics, and new tunes by John Mccullagh (from his new CD, “Working Class Lowlife” !!!), Colm O’Brien, Captain Moonlight, Matt Mc Ginn, Christy Moore, George Carlin, Vincent Caprani,  Bog Savages, Dead Kennedys. Crass, Eire Og, Bluestack, The Ryans, The Rebel Hearts, The Wakes, The Dubliners, Blood or Whiskey, Minor Threat, Neck, Roaring Jack, More Power To Your Elbow, 39 Dangerous Street, 


And much more….

Saturday, July 07, 2012





14 September 1951 - 8 July 1981 






R.I. P. Oglach Joe McDonnell

A deep-thinking republican with a great sense of humour 

THE FOURTH IRA Volunteer to join the hunger-strike for political status was Joe McDonnell, a thirty-year-old married man with two children, from the Lenadoon housing estate in West Belfast. 


A well-known and very popular man in the Greater Andersonstown area he grew up, married and fought for the republican cause in, Joe had a reputation as a quiet and deep-thinking individual, with a gentle, happy go-lucky personality, who had, nevertheless, a great sense of humour, was always laughing and playing practical jokes, and who, although withdrawn at times, had the ability to make friends easily. 


As an active republican before his capture in October 1976, Joe was regarded by his comrades as a cool and efficient Volunteer who did what he had to do and never talked about it afterwards. 

Something of a rarity within the Republican Movement, in that outside of military briefings and operational duty he was never seen around with other known or suspected Volunteers, he was nevertheless a good friend of the late Bobby Sands, with whom he was captured while on active service duty.


Not among those who volunteered for the earlier hunger strike last year, it was the intense disappointment brought about by the Brits' duplicity following the end of that hunger strike, and the bitterness and anger that duplicity produced among all the blanket men, that prompted Joe to put forward his name the next time round.


And it was predictable, as well as fitting, when his friend and comrade Bobby Sands met with death on the sixty-sixth day of his hunger strike, that Joe McDonnell should volunteer to take Bobby's place and continue that fight.




RESOLVE


His determination and resolve in that course of action can be gauged by the fact that never once, following his sentencing to fourteen years imprisonment in 1977, did he put on the prison uniform to take a visit, seeing his wife and family only after he commenced his hunger-strike.


The story of Joe McDonnell is of a highly-aware republican soldier whose involvement stemmed initially from the personal repression and harassment he and his family suffered at the hands of the British occupation forces, but which then deepened - through continuing repression - to a mature commitment to oppose an occupation that denied his country freedom and attempted to criminalise its people.


It was that commitment which he held more dear than his own life.




FAMILY




Joe McDonnell was born on September 14th 1951, the fifth of eight children, into the family home in Slate Street in Belfast's Lower Falls.




His father, Robert, aged 59, a steel erector, and his mother, Eileen (whose maiden name is Straney), aged 58, both came from the Lower Falls themselves.




They married in St. Peter's church there, in 1941, living first with Robert's sister and her husband in Colinward Street, off the Springfield Road, before moving into their own home in Slate Street, where the family were all born.




These are: Eilish, aged 38, married with five children; Robert, aged 36, married with two children; Hugh, aged 34, married with three children; Patsy, aged 32, married with two children, and now living in Canada since 1969; Joe; Maura, aged 28 and single; Paul, aged 26, married with two children and Frankie, aged 24 and single.


Frankie is currently serving a five-year sentence on the blanket protest in H6-Block on an IRA membership charge, following his arrest in December 1976, and is due for release this December.


A ninth child, Bernadette, was a particular favourite of Joe's, before her death from a kidney illness at the early age of three.

"Joseph practically reared Bernadette", recalls his mother, "he was always with the child, carrying her around. He was about ten at the time. He even used to play marleys with her on his shoulders."


Bernadette's death, a sad blow to the family, was deeply felt by her young brother Joe.




DATING


One of his friends at that time was his future brother-in-law, Michael, and he began dating Goretti from around the time he was seventeen.


Joe and Goretti, who also comes from Andersonstown, married in St. Agnes' chapel in 1970, and moved in to live with Goretti's sister and her family in Horn Drive in Lower Lenadoon.




At that time, however, they were one of only two nationalist households in what was then a predominantly loyalist street, and, after repeated instances of verbal intimidation, in the middle of the night, a loyalist mob - in full view of a nearby Brit post, and with the blessing of the raving Reverend Robert Bradford, who stood by - broke down the doors and wrecked the houses, forcing the two families to leave.


INTERNMENT


The McDonnells went to live with Goretti's mother for a while, but eventually got the chance to squat in a house being vacated in Lenadoon Avenue.


Internment had been introduced shortly before, and in 1972 the British army struck with a 4.00 a.m. raid.


Joe was dragged from the house, hit in the eye with a rifle butt and bundled into a jeep. Their house was searched and wrecked. Joe was taken to the prison ship Maidstone and later on to Long Kesh internment camp where he was held for several months.




Goretti recalls that early morning as a "horrific" experience which altered both their lives. One minute they had everything, the next minute nothing.


On his release Joe joined the IRA's Belfast Brigade, operating at first in the 1st Battalion's 'A' Company which covered the Rosnareen end of Andersonstown, and later being absorbed into the 'cell' structure increasingly adopted by the IRA.


RAIDS


Both during his first period of internment, and his second, longer, internment in 1973, as well as the periods when he was free, the McDonnell's home in Lenadoon was constant target for British army raids.

During these raids the house would often be torn apart, photos 
torn up and confiscated letters from Joe (previously read by the prison censor) re-read by infantile British soldiers, and Goretti herself arrested.


In between periods of internment, and before his capture, Joe resumed his trade as an upholsterer which he had followed since leaving school at the age of fifteen. He loved the job, never missing a day through illness, and made both the furniture for his own home as well as for many of the bars and clubs in the surrounding area. His job enabled him to take the family for regular holidays but Joe was a real 'homer' and always longed to be back in his native Belfast.


BOMBS


Part of that attraction stemmed obviously from his responsibility to his republican involvement. An active Volunteer throughout the Greater Andersonstown area, Joe was considered a first-class operator who didn't show much fear. Generally quiet and serious while on an operation, whether an ambush or a bombing mission, Joe's humour occasionally shone through.




Driving one time to an intended target in the Lenadoon area with a carload of Volunteers, smoke began to appear in the car. Not realising that it was simply escaping exhaust fumes, and thinking it came from the bags containing a number of bombs, a degree of alarm began to break out in the car, but Joe only advised his comrades, drily, not to bother about it:

 "They'll go off soon enough."


Outside of active service, Joe mixed mostly with people he knew from work, never flaunting his republican beliefs or his involvement, to such an extent that it led some republicans to believe he had not reported back to the IRA on his second release from internment.

The Brits, however, persecuted him and his family continually, with frequent house raids, and street arrests. He could rarely leave the house without being stopped for P-checking, or held up for an hour at a roadblock if he had somewhere to go. A few months before his capture, irate Brits at a roadblock warned him that they would 'get' him.




Outside of his republican activity Joe took a strong interest in his children - Bernadette, aged ten and Joseph, aged nine - teaching them both to swim, and forever playing football with young Joseph on the small green outside their home.

CAPTURE


His capture took place in October 1976 following a firebomb attack on the Balmoral Furnishing Company in Upper Dunmurray Lane, near the Twinbrook estate in West Belfast.


The IRA had reconnoitred the store, noting the extravagantly-priced furniture it sold, and had selected it as an economic target. The plan was to petrol bomb the premises and then to lay explosive charges to spread the flames.


The Twinbrook active service unit led by Bobby Sands, was at that time in the process of being built up, and were assisted consequently in this operation by experienced republican Volunteers from the adjoining Andersonstown area, including Joe McDonnell.




Unfortunately, following the attack, which successfully destroyed the furnishing company, the escape route of some of the Volunteers involved was blocked by a car placed across the road.


During an ensuing shoot-out with Brits and RUC, two republicans, Seamus Martin and Gabriel Corbett were wounded, and four others, Bobby Sands, Joe McDonnell, Seamus Finucane and Sean Lavery, were arrested in a car not far away.

Three IRA Volunteers managed to escape safely from the area.
A single revolver was found in the car, and at the men's subsequent trial in September 1977 all four received fourteen-year sentences for possession when they refused to recognise the court.


Rough treatment during their interrogation in Castlereagh failed to make any of the four sign a statement, and the RUC were thus unable to charge the men with involvement in the attack on the furnishing company despite their proximity to it at the time of their arrest.



ADAMANT 


From the day he was sentenced Joe refused to put on the prison uniform to take a visit, so adamant was he that he would not be criminalised. He kept in touch instead, with his wife and family, by means of daily smuggled 'communications', written with smuggled-in biro refills on prison issue toilet paper and smuggled out via other blanket men who were taking visits.


Incarcerated in H5-Block, Joe acted as 'scorcher' (an anglicised form of the Irish word, scairt, to shout) shouting the sceal, or news from his block to the adjoining one about a hundred yards away. Frequently this is the only way that news from outside can be communicated from one H-Block to the blanket men in another H-Block.

It illustrates well the feeling of bitter determination prevailing in the H-Blocks that Joe McDonnell, who did not volunteer for the hunger strike last year because, he said, "I have too much to live for", should have become so frustrated and angered by British perfidy as to embark on hunger strike on Sunday, May 9th, 1981.




IMPACT


In June, Joe was a candidate during the Free State general election, in the Sligo/Leitrim constituency, in which he narrowly missed election by 315 votes.

All the family were actively involved in campaigning for him, and despite the disappointment at the result both they and Joe himself were pleased at the impact which, the H-Block issue had on the election, and in Sligo/Leitrim itself.




Adults cried when the video film on the hunger strike was shown, his family recall, and they cried again when Joe was eliminated from the electoral count.


MARTYR


At 5.11 a.m., on July 8th, Joe McDonnell, who - believeably, for those who know his wife Goretti, his children Bernadette and Joseph and his family - "had too much to live for" died after sixty one days of agonising hunger strike, rather than be criminalised.

Tuesday, July 03, 2012

Radio Rebel Gael Presents :


 Rebel Drums of July !!!


FEAT. NEW Music & Guest Musicians; Colm O’Brien (Boston), and Stephen Leeson (Dublin) !!


And lots of classics, and new tunes by Brian Gilligan, Gerry T. Moran, Ciaran Murphy, Podgie, Christy Moore, Seamus Kennedy, Sharon Shannon, Bluestack, Erin Og, Spirit of Freedom, The Skels, The Mickey Finns, Blood or Whiskey, Larkin, The Pogues, The Rumjacks, The Killigans, The Tossers, Manhattan Island Sessions, Niblick Henbane, Junior Murvin,


And much more….

Tuesday, June 19, 2012

Dark Rosaleen by James Clarence Mangan

O my Dark Rosaleen,
Do no sigh, do not weep!
The priests are on the ocean green,
They march along the Deep.
There's wine . . . from the royal Pope
Upon the ocean green;
And Spanish ale shall give you hope,
My Dark Rosaleen!
My own Rosaleen!
Shall glad your heart, shall give you hope,
Shall give you health, and help, and hope,
My Dark Rosaleen.
Over hills and through dales
Have I roamed for your sake;
All yesterday I sailed with sails
On river and on lake.
The Erne . . . at its highest flood
I dashed across unseen,


For there was lightning in my blood,
My Dark Rosaleen!
My own Rosaleen!
Oh! there was lightning in my blood,
Red lightning lightened through my blood,
My Dark Rosaleen!
All day long in unrest
To and fro do I move,
The very soul within my breast
Is wasted for you, love!
The heart . . . in my bosom faints
To think of you, my Queen,
My life of life, my saint of saints,
My Dark Rosaleen!
My own Rosaleen!
To hear your sweet and sad complaints,
My life, my love, my saint of saints,
My Dark Rosaleen!
Woe and pain, pain and woe,
Are my lot night and noon,
To see your bright face clouded so,
Like to the mournful moon.
But yet . . . will I rear your throne
Again in golden sheen;
'Tis you shall reign, shall reign alone,
My Dark Rosaleen!
My own Rosaleen!
'Tis you shall have the golden throne,
'Tis you shall reign, and reign alone,
My Dark Rosaleen!
Over dews, over sands
Will I fly for your weal;


Your holy delicate white hands
Shall girdle me with steel.
At home . . . in your emerald bowers,
From morning's dawn till e'en,
You'll pray for me, my flower of flowers,
My Dark Rosaleen!
My fond Rosaleen!
You'll think of me through Daylight's hours,
My virgin flower, my flower of flowers,
My Dark Rosaleen!
I could scale the blue air,
I could plough the high hills,
Oh, I could kneel all night in prayer,
To heal your many ills!
And one . . . beamy smile for you
Would float like light between
My toils and me, my own, my true,
My Dark Rosaleen!
My fond Rosaleen!
Would give me life and soul anew,
A second life, a soul anew,
My Dark Rosaleen!
O! the Erne shall run red
With redundance of blood,
The earth shall rock beneath our tread,
And flames wrap hill and wood,
And gun-peal, a slogan cry,
Wake many a glen serene,
Ere you shall fade, ere you shall die,
My Dark Rosaleen!
My own Rosaleen!
The Judgment Hour must first be nigh,
Ere you can fade, ere you can die,
My Dark Rosaleen!
 
 

Monday, June 04, 2012

Summer Sing Song Sing-A-Long !


RADIO REBEL GAEL PRESENTS : The Summer Sing-Song !

FEAT. NEW Music & Guest Musicians; Bobby Mullis of ERIN OG (Boston) and Gerry T. Moran, brilliant Irish folk balladeer (Dundalk/Norfolk) !!


And lots of classics, and new tunes by Damaris Woods, Damien Dempsey, Charlie & The Bhoys, Derek Warfield, Liam Weldon, Seamus Kennedy, Ciaran Murphy, The Navigators, The Tossers, The Specials, Black 47, Phoenix, Blood or Whiskey, Wolfhound, Siobhan, Long Time Courting, 



 http://archive.org/details/RRGSummerSingSong/
And much more….

Friday, May 18, 2012

Cuz The Green Owl Says : "Hoot Hoot ! Give The Brits The Boot !!!"


RADIO REBEL GAEL PRESENTS : The Green Owl !

FEAT. NEW Music & Guest Musicians; Joey Bracken of ATHENRYE (Dublin/Canary Islands), & Brendan Power of THE KILMAINE SAINTS (Pennsylvania),


And lots of classics, and new tunes by Ciaran Murphy, Derek Warfield, Sean Keane, Richie Kavanaugh, Kathleen Largey, Charlie & The Bhoys, Sharon Shannon, Tommy Sands, The Players Brigade, The Druids, The Flying Column, Battering Ram, Cruachan, Neck, Dervish, Black 47, Spirit of Freedom, The Irish Rovers, The Tossers, Bluestack,


And much more….

Wednesday, May 16, 2012

Comhrá: Dónal Donnelly - Episode:11, TG4



Comhra is kind of set up like a jovial talk show, this episode I saw the other night had a special guest , Donal Donnelly, Tyrone native , Mayor of Dundrum, author of autobiographical novel, “Prisoner 1082: Escape From Crumlin Road, Europe’s Alcatraz  and former IRA volunteer, who played a part in the Border Campaign of 1956-1962, also dubbed “Operation Harvest”.

Dónal Donnelly made the National News when he escaped from Crumlin Road Jail (often known as “British Alcatraz”) on December 26th, 1960,  St. Stephen’s Day. He had been arrested at the age of 18,  for allegedly bombing B-Specials drill halls and IRA membership. The authorities were unable to convict him for the alleged explosions due to lack of evidence (what else is new, these bastards never have any evidence, all of their so-called “trials” are based on gossip, hearsay, and the testimony of informants and/or that of the RUC/PSNI), so that charge was dropped in 1958, so he was convicted for IRA membership and given a 10 year sentence.

The  national news reported that over 12,000 R.U.C and B-Specials collaborated in the hunt for IRA wanted man, Donal Donnelly, in the biggest recorded manhunt in Irish history. In his autobiography, he details his escape and what led him to join the IRA and the deplorable conditions of “Europe’s Alcatraz”. It also gets into his involvement as a teenager in the election campaign of 1955, in which two IRA POWs were elected while behind the wire. They were Phillip Clarke, MP for Fermanagh and South Tyrone, and Tom Mitchell, Dubliner and Bricklayer, who ran as an Independent Republican and whom would later support Bernadette Devlin’s 1969 Mid Ulster by-election campaign.

F***k the BBC, F***k RTE !  TG4 continues to be my favorite TV station ! What other TV channel would have all this Fenian history!?!



-- Rory Dubhdara, Radio Rebel Gael

Monday, May 14, 2012

Danny McNamee : Another Victim of British "Justice"

Éagóir: Danny McNamee - Episode: 3 TG4



I know its beginning to sound like I am secretly working for TG4 as their advertising man, yet again I watched something on this Cork based TV channel that was really good. This episode of “Eagoir” I saw last night is about another innocent Irishman , framed for a crime he never committed, without a shred of evidence to back the British accusations who claimed that Danny McNamee was the “mad bomber” behind the Hyde Park and Regent’s Park Bombings that rocked London on July 20th 1982.

One week before his wedding, on August 16th,1986, Danny was arrested at his home in Crossmaglen and taken to England. He was branded as a “master bomber” and sent to HM Prison Whitemoor in England for his alleged role in the Hyde Park Bombings.

The band , Pink Floyd, made reference to these bombings in their song, “The Gunner’s Dream”, on their album “The Final Cut”.

One of the lines goes:

"You can relax, on both sides of the tracks, and maniacs don't blow holes in bandsmen by remote control".

Saturday, May 12, 2012

"I have no prouder boast than to say I am Irish and have been privileged to fight for the Irish people and for Ireland. If I have a duty I will perform it to the full in the unshakable belief that we are a noble race and that chains and bonds have no part in us."
 
 
 
 - Francis Hughes, Feb. 28th 1956-May 12th 1981

Kathleen Lynn : A Revolutionary Doctor

Another brilliant documentary I caught on TG4 the other night, the story of a suffragette, a dedicated Fenian, a revolutionary, a feminist, a Surgeon-General and Captain in James Connolly's Irish Citizen Army, Kathleen Lynn, who was also the chief doctor treating the wounded during the Easter Rising and because Dublin had the highest infant mortality rate in the world when she became a doctor in 1902, in addition to dedicating herself to helping Dublin's poor, especially struggling mothers, she became the founder of Ireland's first infant hospital, St. Ultan's in 1919.


Well worth a watch !



Saturday, May 05, 2012


I scratched my name but not for fame.
Upon the whitened wall,
"Bobby Sands was here,"  I wrote with fear
In awful shaky scrawl.
I wrote it low where eyes don't go
'Twas but to testify,
That I was sane and not to blame
Should here I come to die.                                                                                                                                                                   

I heard the creak of creeping sneak                                                                                                      
The watcher on his round.
'Twould be, I thought, but all for nought
If caught upon the ground. 
My dancing eyes bore no disguise
They leapt like flames of fire,
When Christ I stared as at me glared
The death name of "Maguire".                                                                                                                                      
  

I paled with fright it was death alright
I stood like trembling bird,
And felt the look, the Watcher's duke
As he passed by unheard.
But one thought lay upon mind's bay
'Twas anchored deep, my friend,
'Twas that man's name and cruel pain                                                                           
That seen him to his end.

The light burned bright was day now night
Who cared of such in hell,
For a man's mind spent all it's time
On when he'd leave the cell.
For who knew when or there again
Just who knew if at all,
If the next creak or creeping sneak                                                                                                       
Was death's breath come to call.                                                                                                                      

The floor was cold on stocking sole
And boots forbidden things,
For one might die if one might tie
A noose with lacing strings.                                                                                                                                                      
For tortured men seek death's quick end
And branchmen know this too,
For stiffs won't talk so men must walk
The floor without a shoe.
 
I heard the moans and dreadful groans                                                                         
They rose from some man's cell.
And knew I then that this poor friend
Had something big to tell.
I'd heard him go some hours ago
His step was smooth and light,
But he'd come back like crippled wreck
Or one who'd lost a fight.
  
All listened hard except the coward
Who squirmed upon his bed,
The pain of men just does not blend
With he whose silvers weighed.
It tore our ears and primed our fears                                                                                        
This man's tormenting groans
It made men reel for all could feel
The hurt on this man's bones.                                                                                                                                                   

I stewed like rat in porter fat
Fermenting drunk with fear.
When would they come, who'd be the one?                              
The time was drawing near.
I worried sick and scurried quick
Like a blind man in a storm,
I had no course but followed force
Of terror's blasting horn.                                                                                                                                                                                  

The light burned bright was day now night
Or was night turned to day.
Forty hours, I'd sweated showers
In panic-stricken fray.
This waiting game was greatest strain                                                                            
And though I knew their ploy,
It did not ease nor did appease
But helped more to destroy.

My stomach turned, it churned and churned
Stirred fast by swirling dread.
'Twas times like this in wretchedness
A man fell down and prayed.
'Twas times like this in cowardliness
That men would break their code,
And spill the beans in cowardly screams                                                                       
To shed this murderous load.

The groaning died, we tortured sighed
And silence fell again.
And so did that, that ties a knot
To choke the very brain.
Depression, friend, it did extend
In waves through every cell,
Crept up behind and bit the mind
Like shock from bursting shell.                                                                                                             

I'd nought to do but see it through
I fought it tooth and nail.
It said to me in evil glee,
"Give up and go to jail.
The prison bars you'll see in hours
If you just sign your name.
Or just admit a little bit
Regardless whose to blame."

I heard the clink of metal link,                                                                                                               
The Watcher was abroad.
He squeaked and creaked, tip-toed and sneaked
On shoes that were not shod.
Ne'er e'er he spoke and still unbroke,
The silence hung in awe.
He watched you quake and watched you shake
And told them all he saw.

When he had gone I sat upon
The monstrous heavy bed.
What little air there was to spare
Was pumped out overhead.
It came through vent to no extent                                                                                                          
To barely fill the lungs,
So ate we crust of dirty dust
And choked upon our tongues.

And who could sleep in sweltering heat
With rattle of the vent.
'Pon canvas sheets caked firm in pleats
With sweat that men had spent.
The bright white light gave no respite
And cut the eyes to shreds,
And left an ache to devastate
Already bursting heads.

White walls! White walls! Torturous sprawls,
With ne'er a window space.
And so confined a quaking mind
Goes mad in such a place.
The monotony so torturously
Cuts deep into the mind,
That men lose hope and just elope
With charge of any kind.

There's one to eight left to deflate
Will e'er they come to end.
I rose depressed for who can rest
With torture to contend.
From wall to wall my thoughts did trawl
Behind my dragging wake,
And shouted they in disarray
"How much dare you take?"                                                                                                                             

"How much! How much! for pain will touch
Your very spirit, man.
And what you doubt may well slip out
And fry you in the pan.
She, you or him need bear no sin
They'll give you one for free.
If break you will they sure as hell
Will give you two or three."

The moans and groans they froze our bones                             
I heard the next man pray.                                                                                                                                                                                
'Twas him again, said I in shame
"That poor lad's on his way."
The very air screamed in despair                                                                                                                      
Contorted with pure fear,
For 'twas a tap on outside flap:                                                                                                                         
The torture men were here!

The tension snapped like grizzly trap                                                                             
It gripped me by the throat.
And every sense lost all defence
Like gale-lashed drifting boat.
And undisguised, my thoughts capsized
And drowned they in my fear.
And washed they out with any doubt
Of what was drawing near.

A death hush fell for none could tell
Where fate was going to fall.
All held their breath as pale as death
For pain had come to call.
And stood we still in awful thrill
I trembling unashamed,
An angry wound flashed the room                                                                                                                                                                    
Twas fear of fear inflamed.

Their cramped slow steps eased through the depths
Of clinging floating fear,
I dared a sigh as they passed by
Like hunters stalking deer.
Then came the word like call of bird
They'd found their trembling prey,
And none knew whom was bound for doom
As they led him away.

A prisoner's mind may pass the time
In dreamy hopeful thought.
In Castlereagh from day to day
A thought's a battle fought.
And sinking men cling fast, my friend,
To hope within a thought.
A cherished smile or voice of child
Are life rafts to be caught.

From cell to cell they moved 'round hell
With food to feed the starved.
And keeping rules, gave plastic tools
So wrists could not be carved.
On paper plate in greasy state
They placed it in your hand.
But who could eat the devil's treat
Or who could give a damn?

They watched you too, while in the loo,
They stood while you sat down.
But men must do what men must do,
So turn your head around.
And ne'er they slink in all men's stink,
And ne'er they flush or pale.
What kind of men are these, my friend,
Who walk the devil's trail?

As twice before, he groaned once more,
The rattling noise began.
I quickened pace to such a race
That God I nearly ran.
That neighbour prayed and bright light slayed
The Watcher came to peak.
I felt the ill of weakening chill,
Like wind around my feet.

I slowed the pace this terror race
Was never to be won.
For creak of bed sparked awful dread
And nerves would jump the gun.
T'was ten to nine, for that's the time
I heard the watcher say.
But was it light or was it night
I ne'er knew either way.

And some are wrought with sickening thought
It tears their very heart.
It eats their mind like burning lime
And rips their soul apart.
It puzzles men and muzzles them
It leaves each one distraught.
It is that fiend that asks unseen,
'Just how did you get caught?'

I'd torn my jeans twice at the seams
And hidden matches there.
For men must use each little ruse
And take each passing dare.
If one had luck a lousy butt
Could calm the nerves no end.
For cultured taste takes second place
When you're in hell my friend.

The Watcher came to check again,
I froze with sound of key.
Like ticking clock I stopped with shock
As time ran out on me.
And god forbid, but flew it did
Like screeching blackbird flew,
Across the floor, through open door
As he barked 'INTERVIEW!'

The dreaded word, like trapped bird,
Went shrieking above my head.
It screamed and screamed and God it seemed
Like calling of the dead.
He looked at me unenviously.
Said he, 'They want you friend.'
I looked at him, like man in sin,
Goin' out to meet his end.
   

- "The Crime of Castlereagh" Bobby Sands